Miss out at VAS? For addtional classes, visit the Mentone Mordialloc Art Group
@johnmuirlaws
@victorianartistssociety
#wildwonderfoundation
@tacitart_314
@lindaweilfineart
Welcome to my blog journey into the wild side of graphite and colour pencil drawing.
The end of the road is in sight - hop a tram, train, or drive and follow your map to Tacit Art to take a Roadtrip with me. Ends this Sunday, 1 December!
'Frilled' by Linda Weil © (detail)
'Map' by Linda Weil © (detail)
Detail from 'City' - ink work ©Linda Weil 2024
Looking for a
great afternoon out this Sunday? Join me for a Roadtrip at Tacit Art
for a 'meet the artist' session, 1-3pm; 312 Johnston Str. Abbotsford.
Chat
with me about my work, technique, and influences - I will even bring
along my working sketchbook to show you my process as I journey across
the country with my pens and pencils.
And after you see the works,
why not drop into the local for a counter meal at the old fashion Yarra
Hotel across the road. Or perhaps a coffee at Dr Morse a step or two
away or a cold beer at the Bodriggy brew bar?
Come join me for a great Sunday!
@tacitart_314
@yarrahotelabbotsford
@drmorsebar
@bodriggybrewingco
@lindaweilfineart
Opening night of my solo at TacitArt went well - lots of friends and visitors came. Were you one of the crowd? If you missed the opening and want to see me, I will be holding a 'Meet The Artist' day at TacitArt this coming Sunday, November 24 from 1 - 4pm. Do come along and say hello!
This exhibition showcases drawings that are visions of places, scenes and animals realised in a biomechanical style as seen on the long drive northwards from the chilly Melbourne south to a tropical north. Pack your imagination and travel from a suburban backyard, through cityscapes and deserts across country to the Queensland cane fields.
Cupcake, Arachnid, Howl, Spike and Insightful.
Insightful was impossible, so I went with the synonym of Thoughtful.
It's that time again, Inktober! After a very successful and productive Term 3 studying ink, my Thursday evening class has decided to attempt Inktober this year.
But... we really didn't like the official list this time, so the group put ideas in a hat, we drew out 31 and made our own list! Why not join along? You can send your works to me via the email on the right, or else post onto instagram and tag me #lindaweilfineart
So here is our list!
And my first drawings - note that #1Nail is also #16 Snail! Yes, you can do that if you wish, combine ideas. Just try, if you can, to do a drawing a day, in ink.
(S)Nail on Clairfontaine A5 paper -'Paint on Mixed Media' Recycled paper 250gsm
Term 4 already - begining Thursday 3/10/24 at MMAG Monday and 7/10/24 at VAS. My goodness the year has flown! This term I will be concentrating on Textures, Tones and Textiles. Monday evenings at VAS, 4 - 6.30pm, and Thursdays at MMAG, 1.30 - 3.30pm and 7.30 - 9.30pm. Places are limited so book asap.
Take your drawings to the next level, expand beyond the line, discover realistic textures as you learn what to leave in and what to leave out in your drawing. Each week you will approach a different subject and explore how to create textures and realism with graphite. Reference materials will be supplied in the form of either colour photos or 3D objects.
Subjects will include:
Fabrics and drapery- silks, wools and how the fabric falls over the human form
Wood and wood textures including bark, sawn wood and flaking paint
Plastics and metals/shiny objects
Ropes and fibrous wound materials
Rocks and natural forms
Darks, lights, tones and how light and shade affect texture
Last night of
term at VAS yesterday. I spent the evening with my class experimenting
further with ink. One of my artist friends (thank you Silke) had given me some little 8 x
10cm sample books of Hahnemulhe papers so I twiddled about with these. I
really enjoyed the 265gsm Bamboo paper and might grab some larger
sheets. The other paper is a 125gsm cotton rag and quite nice, if a bit
lightweight.
Both works done with nib pen and Windsor Newton India
ink. The first is ink wash over the line work, the second is a Tombo
cool grey water based pen over the ink line.
Both drawings are of Crovie, Scotland. A unique village built in the 18c on the ocean's edge, at the base of the cliffs.
#victorianartistsociety
#crovie
#tacitart_314
Further ink work, a class demo from Monday night. Staedtler liner pens with washes done in Sennelier ink- turquoise and and sepia. Additional colours in indigo and red inktense pencils. On St. Cuthberts Mill Saunders watercolour paper 300gsm HP. About an hour.
'Three Little Soldiers' by Linda Weil©
...continuing exploration into working with inks.
Paper: 250gsm Bristol Board, A4 size
Medium: Staedtler pigment liners, .05, 1.0, 2.0, 3.0, 5.0. Various water colours, quite old tubes of colour I have (some over 40years old!!!). These include Cotam, Winsor Newton, and Art Spectrum.
Step One: Black ink drawing state
This term I have been working with my class using ink and ink washes, with a 'boat' subject. To begin I demonstrated the basic Figure 8 method of drawing boats and we drew a series if imaginary crafts using this method. For this technique I like to use a blue pencil to create the initial 'figure 8' and then sketch over the top of this using a 4B graphite.
Imaginary skiffs using the Figure 8 method
Students then chose their own boat image from personal references and first drew it in graphite as an accurate tonal rendering. Here is my partially completed drawing:
Inconplete graphite rendering of a small row boat. 300gsm Fabriano hot press paper and graphite pencils
Next we began to experiment with various ink techniques starting with test sheets to understand how to dilute and use washes in inks. My tests were done with Windsor Newton India Ink on hot press paper. It was important to learn how to create smooth and even washes, with miniumal 'cauliflowers'. Tricky to get right and mastering the technique of walking the bead of ink can be diffucult.
I used a measured dilution method with distilled water and the WN ink. With an eyedropper I dripped 20 drops of water and then one drop of ink for the first tint. Progressively the tints were: 20 to 1, 20 to 5, 20 to 10, 20 to 15, 20 to 20, solid black.
Students were also encouraged to try out their fineliner and dip pens to learn how to create various textures using hatching, crosshatching and stippling. I use a work sheet I found on the internet for samples. Worksheet
Finally were were ready to start our boat drawing ink! Using the same boat created in graphite, this image is transferred to a sheet of 300gsm hot press paper. Some decisions had to be made by each student; to add ink tints or not? To add the tints first, or after fineliner pens (taking care to test if the fineliners were waterproof). Which fineliner pens to use and how to use them.
I choose to begin with ink wash and then add fineliner pens. Again I used the WN india ink and once the wash was dry I drew with Stadtler Pigment Liner 308, these pens are permanent and waterproof on paper when dry, good metal tips and a nice range of sizes.
Personally, I am not too happy with my result. My first attempt at washes was miserable and I began again. Here is the completed second attempt and I am still not very happy with it. But now I am thinking I might just try drawing the boat and features first, THEN adding a ink wash - maybe try a sepia ink rather than the india ink. Not sure, but it is fun to experiment.
Practice drawng #2, more or less complete. Although I like the background and the wall, I think that the boat is too fussy and tight. I think I will try again.
Practice drawing #3, washes only. Meh. It got a bit out of hand and the lake area bled too much. I rushed it and I'm still not happy. So I will try again.
When I have done my next attempt I will show that, happy or not! Moral of this lesson? It's just a piecd of paper... and practice, practice, and even more practice!
Okay people, after many requests I have dipped my toe into the world of social media beyond this blog.
Ack.
Let's see how this goes, but you can now follow me on instagram!! Click on the link to follow me. Tell your friends, etc.
'tis a brave new world we live in.